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From Script to Screen Art Of: The Right Note 21/02/2016

Art Of From Script to Screen Art Of Script The Right Note Pre-Vis Animatic

From Script to Screen: Presentation 18/02/2016

From Script to Screen Presentation

From Script to Screen: Concept Art 18/02/2016

Head Concepting Body Concepting Leg Concepting Full Body Design Final Design, in Setting Employer Car Concept City Backdrop Concepts Props Concepts Key Scenes Concepts

Story Plot 3.0 29/01/2016

1. The story starts off with a Stuntman Poster showing how great this guy was, then the camera pans to a drunk stuntman at a bar. The TV then tells the story of a stuntman who has lost his job due to drinking habits, which is when we will see our stuntman. The stuntman is looking at pictures of the film set he used to work on (Which he loved ever so dear) and then takes a shot of some sort of drink. When he then looks up he then starts to hallucinate that the bar is his film set. Notes: Some things to note about this first scene is that camera descriptions are not yet put in, however the camera is going to pan by the stuntman’s glass to show his presence. Also in this sequence there is a bartender and he leaves the bar to leave the stuntman alone.  2. He dances, prances and jumps around the bar, however after a while his vision beings to turn back to reality. In a sad attempt to stay in this happy dream he tries to find more booze but cannot find anything, apart from one ‘Very’...

Re-worked story concept 'Glazed and Dazed': 27/01/2016

Story Plot 2.0: 1. The story starts off with a Stuntman Poster showing how great this guy was, then the camera then pans to a drunk stuntman at a bar. The TV then tells the story of a stuntman who has lost his job due to drinking habits, which is when we will see our stuntman. The stuntman is looking at pictures of the film set he used to work on (Which he loved ever so dear) and then takes a shot of some sort of drink. When he then looks up he then starts to hallucinate that the bar is his film set. Notes: Some things to note about this first scene is that camera descriptions are not yet put in, however the camera is going to pan by the stuntman’s glass to show his presence. Also in this sequence there is a bartender and he leaves the bar to leave the stuntman alone. 2. He dances, prances and jumps around the bar, however after a while his vision beings to turn back to reality. In a sad attempt to stay in this dream he tries to find more booze but cannot find anything, apart ...

New Story Concept: Glazed and Dazed 22/01/2016

Story The story starts off with a Stuntman Poster showing how great this guy was, then the camera then pans to a drunk stuntman on a sofa. The stuntman is looking at pictures of the film set he used to work on (Which he loved ever so dear) and then takes a shot of some sort of drink. When he then looks up he then starts to see his home as a film set. He dances, prances and jumps around his apartment, however after a while his vision beings to turn back to reality. In a sad attempt to stay in this dream he decides to drive down to the local liquor store. He then jumps out of a window, falls though the garage ceiling, knocking him out. The camera then pans around cleverly to make it look like he has landed on his car but is really on a Piano. With him still unconscious a bottle slips out of his hand onto a button which opens the garage door, which activates some sort of Gold-Ruberg Contraption, making the Piano move and roll down the hill. When the stuntman wakes up he finds himse...

Post OGR Update & New Story Concepts 22/01/2016

OGR Update Okay, so ever since the OGR some comment were made on my story. The biggest one was about my environment not being a big enough part of the story, I am coming up with a new story now that can follows some of these rules: Every object I have been assigned my be significant in my story. The concept of a stuntman can be altered due to a situation, e.g. Depressed stuntman, Old Stuntman, Rival Stuntman The film set does not have to actually 'BE' there but can be heavily symbolized there. There are no concepts set in stone yet but there is a story I have come up with that in my personal opinion I like way better than my pervious idea. I was given some creative influence by my tutor and I have come up with the concept of a 'Drunk Stuntman'. I am currently writing the story up now and it should be up by either today or tomorrow.

From Script to Screen: The Details 16/01/2016

Short Film 'Taking Notes'  My Three Assets: Stuntman Film Set Piano Plot There is stuntman inside of a film set, he needs to practice before he performs. He has about an hour to do so, in order to train for this an obstacle course has been set up with parts he could find around the set, he also uses objects around the studio to 'Warm Up' before attempting this obstacle course. In the studio there is a Piano, a little boy has walked in (Somehow?) and just been watching this stuntman practice before attempting his real stunt. As the man warms up the little boy plays the Piano, as the man warms up and the little boy plays it becomes apparent that every time the little boy plays a wrong note on the Piano the stuntman messes up, making this the main focus of the film, this Piano song that slowly becomes a mash of random keys to show the Stuntman getting annoyed. The film ends with the man only realizing he only has five minutes left and sits down in despair, t...

From Script to Screen: Story Concepts

IDEA 1: Allegro A stuntman known as ‘Jon Bruise’ is the world best stuntman, renowned for his incredible skills, speed and power. He also happens to be an amazing musician as well, he has performed a major stunt in every film he has been in with a instrument. He has performed with the Electric Guitar, Bongos, Flute, Maracas, Fiddle and an entire drum set, all made up by him! He is getting older however and the film he is in now will be his last as he is retiring, so because its his last film he needs to have a amazing send off. Unfortunately however he is given an instrument this time that could be very challenging, a piano. Its not something he can carry nor throw, in this film he is also in he is confronted by his producer and is told it if cannot do this stunt they will hire a double to do it, that double being Jon’s evil twin. Jon must now pull everything together he has ever learned in his life and career in order to fulfill this epic performance and give everyone a...